Music is the craft of arranging sounds in sequence to create a melody or play by the tones of rhythm, tone, and tempo to create a piece of music. It’s one of the oldest, most enduring, and popular artistic forms in the world. In music theory, music is defined as “the arrangement of sounds in sequence and in time.” A musical composition is also a work of visual art that employs sound. It usually employs repeated harmonic and rhythmic patterns in order to deliver a particular message.
Music theory comes from two major branches of mathematics. One branch is classical mathematics which studies the construction of finite mathematical objects such as tables, cubes, cone-shaped frustometers, etc. The other branch of mathematics is called structuralism which studies how music is arranged. For instance, the seemingly simple passage of a piano piece to and from one octave (piano Concertos) can be described using many different terms (tone, key, technique, tempo, range, technique, rhythm).
Aristotle argued that music theory are unrelated. However, Aristotle did state that music differs from dance in some ways. Aristotle believed that dance is merely an activity performed for the entertainment of others whereas music is meant to be an artistic medium that allows one to express oneself artistically. Therefore, although both are governed by similar principles, Aristotle distinguished the two as two separate artistic disciplines.
Louis Pasteur also developed a theory of pure music that differs slightly from Aristotle’s. His system of pure music differs from Aristotle’s in that he believed music to be essentially a form of communication, that listeners receive music not only from the composer but also in the tone, structure, and arrangement of the music itself. Unlike Aristotle, who saw music as a purely formal discipline, Pasteur saw music to be an expressive activity. He also rejected the belief that music had a natural purpose. Instead, he felt that music was a creative, aesthetic, and communicative medium that allowed us to tell a story. Like Aristotle, he believed that music and language share similar principles of generality, analogy, and expression.
Carlitars managed to shake the tonal music industry away from its complacency in the late nineteenth century. At first, tonal music seemed to have lost its place in the modern world, but twentieth-century music scholars have begun to view it as having a legitimate place in the music of the day. With the growing popularity of tonal music therapy, today tonal music is often considered to have had a significant influence on music styles and on how we express ourselves.
The field of music theory has opened many doors for music scholars. This is largely due to the development of more sophisticated methodology for categorizing and analyzing music. More than ever before, music theory is relevant in all aspects of music studies. The future of tonal music therapy and its impact on contemporary music will likely continue to unfold in different areas of music theory, making theories and concepts more intertwined and more useful for students, scholars, and professionals alike.